In Indian panorama, nature is considered as an inevitable part of human life and custom but it is not been considered as a valued term in its textual form. However, various poets and authors present the peerless and perennial Indian landscape through their visual imagery and metaphorical language. Amitav Ghosh is one of the few writers in English who constructs nature in his fictional works.  He undertakes a variety of themes; his literary mission with two significant commitments—fictionalization of historical facts and figures, and expression of a concern over physical environment. The paper presents Ghosh’s ecocritical view of the concept of home and displacements in The Glass Palace.