ABSTRACT
The present paper deals with the study of essential characteristics of Indian culture, sculpture and architecture. A lively scholarly open deliberation has been going ahead among antiquarians and archeologists regarding the matter of the sequence of the holes India. The examination indicates expansion of numerous iconographic styles from Ajanta to Bagh caverns and the other way around because of development of gifted laborers and experts between these two Buddhist locales. Numerous iconographic figures were included/erased depending on the nearby state of shake at both the destinations. The craftsmanship and engineering of these locales mirrors India's incredible materials culture. The Indian artworks are not only a point of reference in the historical backdrop of improvement of world workmanship yet they likewise pass on extraordinary experiences about the life of old Indians and their way of life. This paper plots a portion of the building highlights brought into alternate societies.