ABSTRACT
The temples constructed over the centuries boast of the sculptures, exhibiting the Indian artisans' talent. The various models on sculpture dividers are on the whole slashed out of hard shake and last to date. Shake cut engineering was culminated by the Buddhists, and was trailed by a few Hindu rulers. The Pallavas exceeded expectations in this workmanship in the South of India. The models or icons in sculptures are made of stone (on the off chance that it is mula vigraham) and the Utsava murthis are made of bronze and panchaloha. Aside from these, there are the colossal Iyyanar statues and ponies which still exist in South Indian towns. Cultural heritage encapsulated in customary artworks is a fundamental piece of any country which mirrors the way of life and convention of a specific area. In spite of the fact that the significance of craftsmanship has been generally perceived, the writing in regards to conservation of customary specialty is rare. The present paper expected to investigate and recognize issues looked by customary craftsmanship in creating nations and to address those issues keeping in mind the end goal to add to the supportability of conventional specialty heritage and guarantee ceaseless transmission of art abilities and learning from age to age. Our investigation recognized a few key issues which postures considerable difficulties to the safeguarding of conventional specialtyheritage in creating nations.